Editing Techniques

Straight Cuts:
One shot suddenly ends in order for the next to suddenly appear on-screen. Excess and un-needed footage can be easily removed between the two shots. Usually used between different shots in one scene, with longer transitions such as fades being more suited to changes of scene.

Jump Cuts:
A single shot being broken by a cut to the same character(s) in the same position(s) some time further forward in time. This is a deliberately obvious and clear cut, unlike others which may serve to try and 'hide' the cuts. The term is also used to describe shots that are jarring with their suddenness.

Sound Bridge (J and L Cuts):
Sound carried across several images. J-cuts place the sound before the relevant image while L-cuts have the sound trail on after the relevant image has stopped.

Matched Cut (Sound, Action or Image-Matched):
A cut from one shot to another with the same or similar composition in some way, be this a similar image, sound or action.

Varying the Pace of Editing:
Where a cut is made but the composition is similar in some way. This might be a similar image, sound or action.

Pleonastic Sound:
Exaggerated sounds to draw the audience in (added in post-production).

Contrapuntual Sound:
A sound that contrasts with what is being shown on-screen.

Continuity and Discontinuity Editing:
Editing that aids the understanding of the story (things are in order), and editing a scene so it is not quite in order or doesn't follow the natural flow of the story respectively.

Ellipsis of Time:
Compresses a scene down so that you only see what you need to see/what the director wants you to see.

Montage:
A sequence of images and sound to create a sort of narrative summary.

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